There's type all up in my room

I spy...
For better or for worse these are some of the knick knacks I see everyday in my room which may or may not be influencing my typographic design solutions.
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Blood Meridian or the Evening Redness in the West

This is one of 23 chapter heads I illustrated for my redesign of Cormac McCarthy's Blood Meridian.

my handwriting, an alphabet, lets call it: AMANDA

X

This is my second post starring an X. I put a sweater on this one. Drew thinks the sweater looks like scales, either way, I'm happy it doesn't look southwestern, which happens to be one of my biggest fears, designing southwesternie things.

Ogdred Weary

aka Edward Gorey, the master of experimental Edwardian/victorian typography and illustration

Post 1: Criterion Collection Cover Obsession

the mobile vandercook letterpress

fica futa suta

In 2004 I found a used napkin. This napkin, had on it a flow chart written in black ink. This chart weighed the pros and cons of staying in Houston versus moving to Brazil. As I don't have the napkin in front of me at this moment, I cannot recite exactly what the author had written but I do recall this person as have saying 'hot chicks' as 1 of the 2 pros to moving to Brazil. This napkin not only brightened my day but was also the catalyst of my now near obsessive collection of found text. I literally, own hundreds of lists, notes, letters, and maps of the found kind. I hope to re-imagine my collection into something truly unique and thoughtful. The short direct animation below is a product of that notion, based on one note, a scribble and scrabble of financial distinction. What struck me most about this particular found text was the repetition.

3 minutes. 24fps. 16mm. Images were created by directly scratching off the emulsion of each frame with a pointed sculpting tool. oh yeah, and please turn off the sound. I need to change it.

experimental typography 04

I love love love this! Her film was made stop motion style with vinyl stickers.

nu shu

"Until recently, women in Jiangyong County were discouraged from learning Nan Shu "men's writing", that is, the Chinese written language. Nü Shu was therefore invented and used secretly, carefully guarded from men. Women learned the writing from their "sworn sisters" and mothers. Sometimes the characters were disguised as decorative marks or as part of artwork. Most of the writing takes a poetic form with lines of verse in 7 characters, or more rarely 5 characters ^[1]. Typical contents of the writings were autobiographies, letters, folk songs, monody, or narration.
The language was suppressed by the Japanese in the 1940s, fearing that the Chinese could use the language to send secret messages. Although Nü Shu has existed for centuries, it was not known to the outside world until recently, when academics "rediscovered" the script in a report to the central government in 1983 . Scholars have since been able to collate only 2000 characters, a fraction of the total. After the Chinese Revolution, literacy spread among women, and Nü Shu fell into disuse and the line of transmission was broken. Also, the Red Guard suppressed Nü Shu during the cultural revolution and destroyed Nü Shu artifacts ^[2]. At present no one living learned Nü Shu from her mother or sworn sisters, though there are a few scholars who learned it from the last of the women who did. After Tang Yueqing made a documentary about Nü Shu, the government of the People's Republic of China started to popularize the effort to preserve this rare writing system, and some younger women are beginning to learn it."
found on wikipedia